Ravi Shankar not only studied under Ustad Allauddin Khan, but lived with him as if he were his son. This type of mentorship is typical of the Indian Classical music tradition. Ravi's first public performances in India came in 1939. Formal training ended in 1944, and he worked out of Bombay. He began writing scores for film and ballet and started a recording career with HMV's Indian affiliate. He became music director of All India Radio in the 1950s. From 1946 onwards he began to compose original music for films. Some of his most noted scores include the ones for Satyajit Ray's Apu Trilogy and Richard Attenborough's Gandhi.

Ravi Shankar then became well known to the music world outside India, first performing in the former Soviet Union in 1954 and then the West in 1956. He performed in major events such as the Monterey Pop Festival and major venues such as Royal Festival Hall.

After reaching pop cultural fame, Shankar was invited to play venues that were unusual for a classical musician, such as the 1967 Monterey Pop Festival in Monterey, California, with Ustad Allah Rakha on tabla. He was also one of the artists who performed at the Woodstock Festival in 1969, and with Harrison was one of the organizers of The Concert for Bangladesh in 1971, in an attempt to raise awareness of the growing crisis (see 1970 Bhola cyclone, Bangladesh Liberation War and 1971 Bangladesh atrocities) that was occurring in East Pakistan (now independent Bangladesh) where Shankar's family origins lay. Ravi Shankar & Friends co-headlined Harrison's 1974 tour of North America with mixed reviews. His final working album with Harrison was on a 1997 album, Chants of India, where Harrison grew an interest in chant music. After his colleague's death on 29 November in 2001, after a long fight against cancer, Shankar, his daughter, Anoushka, along with Paul McCartney, Ringo Starr, Jeff Lynne, Eric Clapton, Tom Petty, Billy Preston, among many others attended Concert for George in London, where Shankar dedicated the memorial to Harrison.

Shankar has been critical of some facets of the Western reception of Indian music. On a trip to San Francisco's Haight-Ashbury district after performing in Monterey, Shankar wrote, "I felt offended and shocked to see India being regarded so superficially and its great culture being exploited. Yoga, Tantra, mantra, kundalini, ganja, hashish, Kama Sutra? They all became part of a cocktail that everyone seemed to be lapping up!" In 1969 he published an English language autobiography, "My Music, My Life".

Shankar has written two concertos for sitar and orchestra, violin-sitar compositions for Yehudi Menuhin and himself, music for flute virtuoso Jean Pierre Rampal, and music for Hōzan Yamamoto, master of the shakuhachi (Japanese flute), and koto virtuoso Musumi Miyashita. He has composed extensively for films and ballets in India, Canada, Europe, and the United States, including Chappaqua, Charly, Gandhi (for which he was nominated for an Academy Award), and the Apu Trilogy. His recording Tana Mana, released on the Private Music label in 1987, penetrated the New Age genre with its unique combination of traditional instruments with electronics. In 2002, Ravi composed a piece for "The Concert for George." He did not play at the concert, but his daughter Anoushka led an ensemble of Indian musicians in the piece. The classical composer Philip Glass acknowledges Shankar as a major influence, and the two collaborated to produce Passages, a recording of compositions in which each reworks themes composed by the other. Shankar also composed the sitar part in Glass's 2004 composition Orion.

Ravi Shankar has homes in Encinitas, California; Warren, New Jersey, and New Delhi, Delhi, India.

Honours